Custom Musical Instruments
From the video I uploaded earlier, the CombFilter was much less effective as a result of the modifications on the LPF. The result is as follows: *The big noise on the right channel occurred from the mobile phone, by unknown reason. I determined that the cause was a mismatch in the range set for the
A major error of “mishandling of global variables” placed in the LPF was discovered and corrected in the relevant section. The variable that buffers the audio in the code that builds the LPF was shared among the outputs of Wavetable, resulting in a near-monaural sound output configuration, but the problem was solved by adding a
is implemented in mode2 = page# 9.
After adding “Depth” to Modulator’s parameters, I put together the display of parameters related to LFO on one page. I came up with the idea of linking the assignment of the Depth setting parameter in the Modulator to the DelayTimeRange parameter in the 9th item of mode4. The LCD display has Rate/Depth/Feedback in place. The
Adjustments were made to narrow the deviation value of the data referenced by the interpolation mechanism from the delay buffer of the CombFilter. The variable region where the LFO drives is switched according to the delay time setting of the ring buffer that makes up the CombFilter. Calculated 1/8 of the variable region using BitShift
The problem that the CombFilter’s Feedback circuit had could be solved by adjusting the level and making a reverse phase connection. After setting the feedback to its maximum value, we checked for points where the audio would break down. Since the Comb Filter operates with 8 x oversampling using Linear Interpolation, the 16-bit data array
I am looking for a structure that will ensure ground potential and continuity with the antenna rods. In this prototype, PogoPin is inserted in the core on the SMA side, while spring pressure ensures a secure contact point, We inserted a cermet of M3 size into the opposite side of the GFRP guyliner, cut a
As a result of Eureka! being activated for the first time in a while, it is now possible to avoid the hiccups that used to occur on the Pitch side. In short, a filter that removes unwanted noise components is placed in front of average to prevent intervention, The key is to set the threshold
Although the command for pick up how many sequence steps on the SMF on the library does not works properly, I have to add the codes for capturing the value of the sequence steps. First, a flag is set to allow writing to the register in the mode of selecting SMF, and then the mode
The confirmed problem is a mysterious phenomenon in which the upper limit of the BPM setting value is limited to 120 BPM, but this has been normalized at some point in the process of checking the UI. However, the cause of the problem must be identified due to the suspicious the behavior. For the time being,